Godfather Quotes – The Godfather, a cinematic masterpiece, is probably one of the most talked about films that everyone has seen at some point in their life. One of the few mafia films to get it right, The Godfather is equal parts heartbreaking, satisfying, effective and terrifying with its central theme, family. The trilogy had many great moments and meaningful dialogues with great principals – Al Pacino, Marlon Brando and Diane Keaton to name a few.
2. Providing friends when they are not expected is how Don Corleone builds friendships for life. As for the enemies, they were always unwilling to betray Don Vito.
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3. From the guy who turned an old-school family-run mafia into a criminal empire, it just goes to show that cowards are comforted by lies.
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4. Because the streets are uninviting, disorganized, unprejudiced but welcoming and authentic. Some life lessons no classroom can teach…
5. Unlike his father, Michael’s efforts were self-centered. In this cannibalistic world, if you’re going to survive, you have to bend some rules, think less of yourself and steal bikes…
6. Unlike your family, you choose your friends. And with friends by your side, you can build powerful empires like Vito Corleone.
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7. Stealth mode until you execute. Because you can’t make a name for what you’re going to do.
12. Vito Corleone’s greatness stood tall. Whether it was family, business, friends, enemies or government, Vito knew his way through it all. Don Vito Corleone – Greatness – Checklist, what!
15. Don Vito did good for his family all his life. Even in modern changing times, where his fair play or his old school courtship didn’t work, he never sided with his family. Truly a man.
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You are really missing out if you haven’t seen The Godfather yet. The movie has many cultural contexts and all the other ingredients of good cinema – crime, violence, loyalty, betrayal, etc., and some defining works. Father God quotes are equally powerfully imbued with badassery, wisdom and wisdom.
We offer you to watch the movie and come back here with your favorite dialogues and performances in the movie. The offer is really…
Shivam Garg is a journalist by profession, a photographer by passion and a free spirit who loves to travel to different places and capture moments and make lifelong memories.He turned 50 in 2022. It has long been considered the greatest film of all time. Of course, this is debatable, like anything. What cannot be denied is that the movie, based on Mario Puzo’s beloved novel, gave us some of the most memorable lines ever delivered on the big screen. Here is our list of the 20 best.
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20. “You have to get them so close, and badda-bing, you blow their minds about your beautiful Ivy League suit.”
The Corleones did not want the youngest son Michael (Al Pacino) to participate in the “family business”. But Michael had no intention of staying with Don Vito Corleone (Marlon Brando) in ill health and their control over the five families involved. So when Michael offers to shoot Tattaglia Family drug pusher Virgil Sollozzo (Al Lettieri) and evil cop Capt. McCluskey (Sterling Hayden), his brother Sonny (James Caan) makes sure he knows how to get the job done. do
Sollozzo is another villainous character, but he carries it off with style. He also speaks well and makes the audience think. However, he delivers one of the film’s best lines. He will always tell it like it is, as was the case when dealing with the Corleone family and adopted son Tom Hagan (Robert Duvall). Although Sollozzo and Co. they never hit Tom, it’s a reminder that violence is only a way of life for those who are connected.
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When Sollozzo and Tom’s conversation about healing Sonny and making peace between the Five Families comes to an end, “The Turk” introduces this separation, and of course a remarkable line. Also Sollozzo’s passing as someone willing to show his diplomatic side. However, such a line can come across as threatening. A last resort, or sometimes a last resort when all else fails. The audience is smart enough to see that for themselves.
It’s a “man’s movie.” The women in the film are mostly seen as inferior and weak compared to the men in their lives. A sign of the times, but also a business of the times. So it was interesting, and funny, but not surprising when Luca Brasi (Lenny Montana), one of the famous muscles of Corleone, wants to be the first child of Vito’s daughter Connie (Talia Shire) and the new man. Carlo (Gianni Russo) “became a manchild.”
Kay Adams (Diane Keaton) loves Michael Corleone, but she knows there’s more to him. You suspect it’s mostly disturbing, and you’re right. Of course, it was very difficult to talk about this matter. Towards the end of the film, however, after Michael “sits” all the family business, Kay asks. But Michael gives up on this company. Certainly one that has been quoted in the realm of pop culture, and at the right time in just about any situation.
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Don Vito Corleone is a terrifying and wonderful person. But he also knows the value of family, and its importance to everyone. This is the point at which he focuses on entertaining his godfather Johnny Fontaine (Al Martino), who comes to Vito looking for help in finding a place in Hollywood that can revive his career. As far as the memorable scenes inside
14. “You can act like a man! What’s the matter with you? Is that how you came out, Hollywood finocchio crying like a woman? ‘What can I do? What can I do?’
Before Vito asks Johnny about his dedication to his family, he approaches the crooner who is known to cry, and cry, about the current state of his entertainment career. Don exasperates and exasperates Johnny, who in turn mocks him for his seemingly poor attitude when it comes to his job. It’s not the most politically correct film, but it got a laugh from Tom Hagan and showed Vito’s funny side.
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. Lying in bed, trying to talk to sons Sonny and Fredo (John Cazale), and Tom, Vito, in a hoarse voice that took a lot of effort, asks “Where’s Michael?” He knows the answer won’t be good. When Tom tells Vito that it was Michael who killed Sollozzo, Don closes his eyes, shakes his head and shakes them, knowing that this is not what he had hoped for his young son. Then maybe there is a sense of pride.
Sonny Corleone is a very hot head, and apparently it costs him in the end. However lost and reckless his thinking – and actions – may be, Sonny always looks out for his family and their business. Especially when it comes to Sollozzo mentioned above, Sonny doesn’t want to deal with it properly – or the entire Tattaglia family for that matter. Looks like he’s ready to go “to war”. Or, “on the mattress” as Italian gangsters seem to like to say.
11. “You don’t even think to call me Father. Instead, you come to my house on the day of my daughter’s wedding, and ask me to kill you… for money.”
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After the daughter of Amerigo Bonasera (Salvatore Corsitto) is severely beaten by her boyfriend and almost sexually assaulted by her friend, the two men are released from police custody. Upset by this situation, Bonasera, a well-known local undertaker who is reluctant to “connect” with the Corleone family, visits his longtime acquaintance Vito on the wedding day of the Don’s daughter Connie. He asks her to “take care” of his case. Vito is not pleased with the request, denying that he knows Bonasera is reluctant to associate, prompting him to say, “But now y.
10 If an honest man like you opposes them, they will be my enemies;
As we continue to highlight the conversation between Vito and Bonasera, it is important to remember how much power he and the Corleone name wield. On the other hand, there is a lot of jealousy and hatred from other families, law enforcement or the average citizen who sees him and his family as criminals – or above the law. So, if Bonasera publicly aligned himself with Don Corleone, his enemies could be Vito by association. Which could work in Bonasera’s favour.
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Okay, we’re going to be comfortable with this one. For those who don’t know, Francis Ford Coppola’s film was adapted from Mario Puzo’s classic 1969 novel. talk to Michael about avenging the recent death of his family. This, or a known variation, of the line was not mentioned in the 1972 movie.
Maybe for the first time Kay really understood
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